Beskrivelse
Berger’s account illuminates the very meaning of revolutionary art. In his struggle against official orthodoxy – which brought him into face-to-face conflict with Khrushchev himself – Neizvestny was fight-ing not for a merely personal or aesthetic vision, but for recognition of the social role of art. His sculptures earn a place in the world by reflecting the courage of a whole people, commemorating, in an age of mass suffering, the resistance and endurance of millions.
