Patterns of Redemption in Virgil’s Georgics

Current orthodoxy interprets the Georgics as a statement of profound ambivalence towards Octavian and his claim to be Rome’s saviour after the catastrophe of the civil wars. This book takes issue with the model of the subtly subversive poet which has dominated scholarship for the last quarter of a century. It argues that in the turbulent political circumstances which obtained at the time of the poem’s composition, Virgil’s preoccupation with violent conflict has a highly optimistic import. Octavian’s brutal conduct in the civil wars is subjected to a searching analysis, but is ultimately vindicated, refigured as a paradoxically constructive violence analogous to blood sacrifice or Romulus’ fratricide of Remus. The vindication of Octavian also has strictly literary implications for Virgil. The close of the poem sees Virgil asserting his mastery of the Homeric mode of poetry and the providential world-view it was thought to embody.

• Novel approach to the politics of Virgil’s poetry • Original readings of some of the most controversial passages in Latin literature • Sophisticated literary critical reading of the poem which is also well grounded in contemporary ancient history

Introduction; Part I. Prima ab Origine: 1. The Old Man of the Sea; 2. Aristeia; Part II. Mirabile Dictu: 3. Ox and paradox; 4. Poeta creatus; Postscript: Sphragis; Appendix I. Proteus and Proteus; Appendix II. 4.400; Appendix III. Sparsere per agros.