Formalism, Experience, and the Making of American Literature in the Nineteenth Century

Theo Davis offers a new account of the emergence of a national literature in the United States. Taking American literature\'s universalism as an organizing force that must be explained rather than simply exposed, she contends that Emerson, Hawthorne, and Stowe\'s often noted investigations of experience are actually based in a belief that experience is an abstract category governed by typicality, not the property of the individual subject. Additionally, these authors locate the form of the literary work in the domain of abstract experience, projected out of - not embodied in - the text. After tracing the emergence of these beliefs out of Scottish common sense philosophy and through early American literary criticism, Davis analyzes how American authors\' prose seeks to work an art of abstract experience. In so doing, she reconsiders the place of form in literary studies today.

• A reading of nineteenth-century American writers’ interest in experience • New insights into Emerson, Hawthorne and Stowe • A critique of the premises of Americanist criticism today

Introduction: new critical formalism and identity in Americanist criticism; 1. Types of interest: Scottish theory, literary nationalism, and John Neal; 2. Sensing Hawthorne: the figure of Hawthorne\'s affect; 3. \'Life is an ecstasy\': Ralph Waldo Emerson and A. Bronson Alcott; 4. Laws of experience: truth and feeling in Harriet Beecher Stowe; Works cited.