H.D. and Sapphic Modernism 1910–1950

Diana Collecott proposes that Sappho’s presence in H. D.’s work is as significant as that of Homer in Pound’s, and Dante’s in Eliot’s. She undertakes a radical revision of H. D.’s Hellenism and her imagism, relating both to the literary and sexual politics of the First World War period. She then pursues H. D.’s career to the end of the Second World War, discovering en route important intertextualities with Swinburne, Wilde and Shakespeare. Connecting the fragmentary condition of Sappho’s writings with the erasure of women within modernism, and the silencing of lesbians in the wider culture, she traces the Sapphic in H. D.’s prose and poetry, and in its modern contexts. Her exploration develops a lesbian poetics not only for H. D., but also for contemporaries such as Bryer, Amy Lowell and Virginia Woolf, and for successors such as Andre Lorde, Adrienne Rich and Olga Broumas.

• Revises the standard focus on literary modernism as a movement which centres on Eliot and Pound • Emphasises the importance of gender and sexuality in the Anglo-American literary history of the first half of the twentieth century • Re-establishes the reputation of a woman writer often ignored by scholars and critics

Acknowledgements; Foreword: Sappho, Sapphic, Saph; 1. A life of being: negotiating gender; 2. The perfect bi-: negotiating sexuality; 3. Straight as the Greek: Hellenism and Modernism; 4. The art of the future: her emergence from Imagism; 5. What is (not) said: lesbian poetics; 6. Re-membering Shakes-pear: negotiations with tradition; Afterword: at the crossroads; Notes; Works cited; Index.