Literary Patronage in England, 1650–1800

This is the first comprehensive study of the system of literary patronage in early modern England and it demonstrates that far from declining by 1750 - as many commentators have suggested - the system persisted, albeit in altered forms, throughout the eighteenth century. Combining the perspectives of literary, social and political history, Dustin Griffin lays out the workings of the patronage system and shows how authors wrote within that system, manipulating it to their advantage or resisting the claims of patrons by advancing counterclaims of their own. Professor Griffin describes the cultural economics of patronage and argues that literary patronage was in effect always ‘political’. Chapters on individual authors, including Dryden, Swift, Pope and Johnson, as well as Edward Young, Richard Savage, Mary Leapor and Charlotte Lennox, address the author’s role in the system, the rhetoric of dedications and the larger poetics of patronage.

• First comprehensive study of literary patronage 1650–1800 • Challenges conventional belief that literary patronage decline in eighteenth century • Argues for political and economic aspects of patronage, linking with revisionist thinking in history and cultural studies

Acknowledgments; 1. Introduction; 2. The cultural economics of literary patronage; 3. The politics of patronage; 4. John Dryden; 5. Jonathan Swift; 6. Alexander Pope; 7. Edward Young and Richard Savage; 8. Mary Leapor and Charlotte Lennox; 9. Samuel Johnson; 10. The persistence of patronage; 11. Conclusion; Bibliography; Index.