Shakespeare Survey 61

Contents: 1. Sarah Siddons, Theatre Voices and Recorded Memory Judith Pascoe; 2. Playing with Shakespeare’s Play: Branagh’s Love’s Labour’s Lost Anna K. Nardo; 3. Bottom and the Gramophone: Media, Class and Comedy in Michael Hoffman’s A Midsummer Night’s Dream Peter Donaldson; 4. Maurice Evans’ Richard II on stage, television and film Russell Jackson; 5. Richard II on the Screen Charles R. Forker; 6. ‘Where Lies Your Text?’: Twelfth Night in American Sign Language Translation Peter Novak; 7. ‘This Uncivil and Unjust Extent Against Thy Peace’: Tim Supple’s Twelfth Night, Or What Violence Will Alfredo Michel Modenessi; 8. ‘There’s No Such Thing’: Nothing and Nakedness in Polanski’s Macbeth Lindsey Scott; 9. Ghosts and Mirrors: The Gaze in Film Hamlets Simon J. Ryle; 10. ‘It’s a terrible thing to hate your mother, Ben’: Mind Control in Hamlet and The Manchurian Candidate Catherine Grace Canino; 11. Channelling the Ghosts: the Wooster Group’s Remediation of the 1964 Electronovision Hamlet Thomas Cartelli; 12. Listening to Prospero’s Books Evelyn Tribble; 13. Lend Me Your Ears: Sampling BBC Radio Shakespeare Michael P. Jensen; 14. An Age of Kings and the ‘Normal American’ Patricia Lennox; 15. Shakespeare and British Television Olwen Terris; 16. A Local Habitation and a Name: Television and Shakespeare Laurie Osborne; 17. Paying Attention in Shakespeare Parody: From Tom Stoppard to YouTube Christy Desmet; 18. Madagascan Will: Cinematic Shakespeares/Transnational Exchanges Mark Thornton Burnett; 19. Still Life? Anthropocentrism and the Fly in Titus Andronicus and Volpone Charlotte Scott; 20. Hamlet and its early sources Ian Felce; 21. ‘Speak, that I may see thee’: Shakespeare characters and common words Hugh Craig; 22. Who Do the People Love? Richard Levin; 23. A Partial Theory of Original Practice Jeremy Lopez; 24. Shakespeare Performances in England, 2007 Michael Dobson; 25. Professional Shakespeare Productions in the British Isles, January-December 2006 James Shaw; The Year’s Contribution to Shakespeare Studies: 1. Critical Studies reviewed by Michael Taylor; 2. Shakespeare in Performance reviewed by Emma Smith; 3. Editions and Textual Studies reviewed by (a) Eric Rasmussen, (b) John Jowett.

Contributors

Peter Holland, Judith Pascoe, Anna K. Nardo, Peter Donaldson, Russell Jackson, Charles R. Forker, Peter Novak, Alfredo Michel Modenessi, Lindsey Scott, Simon J. Ryle, Catherine Grace Canino, Thomas Cartelli, Evelyn Tribble, Michael P. Jensen, Patricia Lennox, Olwen Terris, Laurie Osborne, Christy Desmet, Mark Thornton Burnett, Charlotte Scott, Ian Felce, Hugh Craig, Richard Levin, Jeremy Lopez, Michael Dobson, James Shaw, Michael Taylor, Emma Smith, Eric Rasmussen, John Jowett